Natural Structures Show that the Universe is Intended for Beauty Purposes

The universe is not a physical phenomenon. 

It is in fact a purely spatial phenomenon with a sprinkling of colours thrown in for good measure. 

The universal measuring scale is based not on natural numbers but from the logarithmic scale, which is evidenced by structures great and small in the universe. 

Structures that exist in the universe behave in nonlinear trajectories rather than linearly. Nonlinear dynamics describe patterns due to the existence of Lorenz attractors. 

For the reasons stated above, we can conclude that the universe bifurcates into two distinct realms at the event horizon, the realm of physics outside and the realm of metaphysics inside the basis on the nonlinear structure of the universe

If there is no God, why should the universe create itself? Why should anything exist at all, let it be God or the universe?

Why indeed?..

Natural Structures Show that it is Intended for Beauty Purposes 

There exist a being who wished to be loved
- admired and praised as well - and so it creates a beautiful universe. Generosity is one of its attributes as well. We call that
being God. God wants to be loved for exhibiting beauty. The following statement falls out:
God is beautiful and loves beauty.

Humans are endowed with intelligence. Human intelligence has for its object, patterns and data patterns.

That being uses fixed and immutable principles to engender variety. Can we as humans use our intelligence to penetrate the symbols, the data structure of the universe, that are used to reflect beauty?

Beauty does mean variety, variety that reflects immutable principles. The universe is a rigorous form of art that makes use of immutable principles. Whenever an artist displays any works, the artist will proudly display his/her signature on it. In the case of the universe, the signature structure is ubiquitously displayed.

The structure that is used at every level in the universe as the signature of our cosmic artist is the Fibonacci sequence. The Fibonacci sequence follows a fixed set of numbers given by the following rules: Fibonacci numbers are formed by adding the two preceding numbers using the formula Fn=Fn-1 + Fn-2. More details here:

 

 

Fibonacci Sequence - Definition, List, Formulas and Examples

Fibonacci sequence is defined as the sequence of numbers and each number is equal to the sum of two previous numbers. Visit BYJU’S to learn Fibonacci numbers, definitions, formulas and examples.

https://byjus.com/maths/fibonacci-sequence/

Human intelligence is imbued with penetrative abilities. In particular, human intelligence is imbued with the ability to discern that principles that engender beauty are used in engendering the universe and the love for beauty is the motivating factor behind it. Humans love beautiful things - beauty is praised often praised as well.

Source of graphic is slide number 23 from

Effective Algorithm for n Fibonacci Number By: Professor Lili Saghafi

Understand the definition of the Fibonacci numbers. Understand the definition of the Recursive / Recursive Functions Show that the naive algorithm for computin…

https://www.slideshare.net/lsaghafi/effective-algorithm-for-n-fibonacci-number-by-professor-lili-saghafi

The data structure used in engendering the universe points to beauty as the reason why the universe exists.

By viewing the universe as a space complexity phenomenon, we can come to this conclusion fairly quickly. The alternative is the “particle zoo” approach to viewing the universe. The space complexity - which judiciously combines geometry with information theory - approach stems from recognizing that the basic idea behind the universe is the curved line called the Fibonacci spiral and not the particle (presumably a point source?).

The above diagram shows the zoom preserving property of the Fibonacci spiral.

The Fibonacci spiral tends to the logarithmic involute as the Fibonacci numbers tends to infinity.

The figure above shows the logarithmic involute which underpins the the geometry of galaxies in the skies above and of trees on earth.

More about the Fibonacci sequence here:

Recursive Fibonnaci Method Explained

I am currently enrolled at Launch School in order to learn the art of programming. During the section where we learn about recursion, the Fibonacci sequence is used to illustrate the concept. Below…

https://medium.com/launch-school/recursive-fibonnaci-method-explained-d82215c5498e

Divine Consciousness precedes the algorithm used to engender the universe.

God uses the same algorithm to engender the universe at every level. God uses algorithm to produce art and life. God wants to be admired, loved and praised for it.

The universe is a resultant. The universe is the result of drawing. It’s a very rigorous form of art. The signature of the artist is strewn all over the universe.

The universe is the result of drawing. It’s a very rigorous form of art. The signature of the artist is strewn all over the universe. The universe is also the conjugate of the artist, which is why the artist puts so much love in creating the universe.

In fact, the spiral is the blueprint of the universe. Humans have known this for a very long time. The following piece of art expresses love for the blueprint of the universe:

The source of the picture above is here:

11 Beautiful Things to Do in Saguaro National Park

Saguaro National Park is a beautiful park that sandwiches Tuscon, Arizona and is divided into West and East. Check out the 11 best things to do here.

https://localadventurer.com/things-to-do-in-saguaro-national-park/

Further reading: Research and Reflection: Fractals, the Fibonacci Spiral, and Nature -

Research and Reflection: Fractals, the Fibonacci Spiral, and Nature

Just like the exhibits at San Francisco’s Exploratorium that inspired Ned Kahn’s artwork, Kahn’s own work involves numerous scientific concepts and applications. Because Kahn’s work focuses on the scientific natural processes in the world, most, if not all of his displays require a basic understanding of related scientific concepts. For example, the creation of Kahn’s “Prism Tunnel” display in San Marino, California required some basic knowledge about light refraction. Ned Kahn’s “Prism Tunnel,” located in San Marino, CA http://nedkahn.com/portfolio/prism-tunnel/ Pink Floyd’s famous “Dark Side of The Moon” album cover http://www.whiz.se/backgrounds/dsotm/ Most people encounter light refraction at some point or another during their lifetime, whether in the form of Pink Floyd’s “The Dark Side of The Moon” album cover, or the rainbow that appears when light shines through a faceted piece of glass. Light refraction is simply the bending of light by a foreign medium, which changes the speed of the wave 6 . The most well known example of this phenomenon is the dispersion of white light into its constituent colors. Kahn uses a material called a diffraction grating in his “Prism Tunnel” sculpture in order to create a fascinating, ever-changing light display. The position and intensity of the light changes depending on the time of day during which it is observed. Many of Ned Kahn’s other sculptures incorporate suspended fog or clouds, and I was curious about the process of their creation. Ned Kahn’s “Cloud Arbor,” located in Pittsburgh, PA https://www.codaworx.com/project/cloud-arbor-pittsburgh-children-s-museum The sheer absurdity of a single cloud suspended among an artistic sculpture is fascinating, and the science behind it makes it exceptionally more interesting. In an entertainment review published in New Scientist , author Christine Ottery outlines the cloud-making process employed by a Dutch weather artist, Berndnaut Smilde 7 . One of Berndnaut Smilde’s cloud displays http://www.sfartscommission.org/gallery/2013/prints-for-sale-clouds-in-san-francisco/ To create this transient work of art, Smilde mists water into the air, and releases a burst of chemical “fog” from a smoke machine into the mist. Simply put, the water droplets and smoke particles stick to each other, and a cloud forms. While seemingly simple in process, this art form is complex, and requires a substantial amount of patience and practice. Like most of the other “hard-to-manage phenomena” 5 that Ned Kahn works with, the creation of artificial clouds is no exception in terms of difficulty. However, this difficulty and value of innovation and creative experimentation are key to the development of an intellectually interesting display that engages viewers to interact and explore. To say the least, difficulty and creative experimentation have played a pretty key role in the design and construction of my own creative sculpture. Another one of Kahn’s sculptures that I found particularly fa

https://blogs.uoregon.edu/mjanesaad199/scientific-research-fractals-the-fibonacci-spiral-and-nature/